8/23/2023 0 Comments Song lightning crashes meaning“Do it,” he tells her, even more at peace with his plan. She threatens him, threatening to tell the world that he is gay. Ben cleans up and walks to the cliff, ready to throw himself over the edge when Misty arrives and begs him to stop. Ben’s latest vision/flashback ends with Paul leaving, telling him he won’t be able to return. Next scene, after Misty climbs back up where Krystal’s body used to be – mysteriously disappeared! – She finds Coach Ben by the cliffside. As an actor, it’s not easy to completely fake your act! She’s clearly pretending and at least Mari can tell. In the first, she fakes crying for the girls with whom she is searching for the crystal, telling them it is too much, she cannot bear it. In hindsight, Samantha Hanratty does such an extraordinary job in two back-to-back scenes. I have to give it to both the actresses who are playing her at the moment. Misty has all the best scenes in this episode. Misty is determined to find the body before anyone else because she doesn’t want them to eat her, which seems a bit selfish considering the nature of her death. Of course Crystal isn’t well, but she’s also not where Misty left her. But hope she is ok! They both agree smack their lips. Transfer of life Curious and inquisitive, with a particularly sloppy cannibalism – now openly discussed among some of the “new” girls when they notice that a silvery layer of dying crystals is, well, lunch. “What the f*#$?” Nut goes smoky, because it’s nut and we love that. It’s almost like a dream, when Shauna pauses and Lottie finally takes a breath and we know she’s still alive (though, yes, we knew she would be). Why didn’t anyone intervene sooner? trauma? Will Lottie’s willpower hold them back? Seizing on her, hitting her repeatedly, until Lottie’s face turns purple and red with bruises, almost causing her to die. Shauna kicks Lottie in the face and throws her to the ground. In the past, a scene of raw violence and fury. Women dancing by the fire under antler chandeliers at Loti’s Strange Healing Center in the woods. “I know it hurts a lot right now, but let it go.” Lottie tells Travis to take Javi to another room. When Lottie confronts her, Shauna punches her in the face. Shauna doesn’t respond well to Misty’s humming and breaks down, accusing her friends of eating her baby. The forest, she argues, gives them what they need. This is the discussion between Loti and others as well. take the actual meaning of the episode at face value-birth, rebirth, death, transmigration of lives, how it’s all happening together-you get a little deeper into the meaning of the episode. I think it’s important both because Shauna is clearly one of the many people who think of abortion when they hear this song, which explains her reaction to Misty, but also if you listen to the song. What you’re seeing is actually a happy ending based on a kind of life transference. No one dies during childbirth, as some onlookers think. While the clip was shot in a home environment, I imagined it taking place in a hospital where there are all these simultaneous deaths and births, a family mourning the death of a woman, while a The screaming baby emerges from a young mother in another room. Kowalczyk said that the song is often misinterpreted because of the music video: Live lead singer and songwriter Ed Kowalczyk wrote it before moving out of his parents’ house and the band dedicated it to a high school friend who was killed by a drunk driver. Now, as everyone knows, this is a song about childbirth. In the previous timeline, at the cabin after a day of digging through a blizzard, Shauna passes by Misty, who is in a strange harmony-humming the same song. Song lightening by Live Comes-yet another great 90s song to marinate in-and Vans says “I love this song!” and turns it on. In the present timeline, the women are gathered at Lottie’s ranch, drinking and dancing, talking and laughing, just relaxing for a bit after a day of therapy (which we shall). The most powerful scene of the entire episode came at the end. The nightmare of his comrades eating the baby is as real to him as it actually happened. She is asking what really happened to her child. In ‘Burial’ we deal with the fallout of Shauna’s abortion last week, which has left her very confused, in a liminal space between conscience and other things. I’m pleased to report that for the second week in a row, yellow jacket is back to being excellent, powerful, and intense - not to mention terrifying, beautiful, sad, funny.
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